‘Um Homem na Cidade’ is a showcase of 1950s menswear. A menswear that evokes a particular retrospective style, best described as: 1950s, vintage, Americana and Rockabilly, that denotes the mid-twentieth century, the Atomic Age, its characteristics, aesthetics and as best as possible, the visual authenticity of those times. A penchant for the 1950s, the iconic designs and details, styled, worn and channelled by Andrew from purchased 1950s reproductions, and contemporary menswear that evokes the era of the 1950s. Featured is menswear that would have existed in the 1950s or clothing of a very similar form. All items featured represent material culture, significant meanings that are clandestine and subtle, as well as clear and plain to interpret. For example, rawhide, tanning, leather. Cotton yarns, indigo dye, denim, etc. Items of clothing that summon up the imagery of their origins, environment and associations: the Old West, workwear, vintage motor vehicles, the roadside gas station, the drive-in theatre and the neon lit diner, quintessential Americana. Cultural significances, that are symbolically intrinsic to the clothing’s conception and original utilitarian functions, as well in opposition, clothing designed to be visually pleasing and fashionable. All items featured on ‘Um Homem na Cidade’ are purchased from independent retro and reproduction brands, whose designs are reproduced from vintage patterns, with the use sometimes of vintage deadstock fabrics. Other items featured are acquired from today’s high street and designer fashion brands. In all, to achieve a digital recording and archive of a modern interpretation of the 1950s, with all the difficulties of being truly authentic to the era, due to the shortage and expense of good quality 1950s menswear available. Nonetheless, this project endeavours to display Andrew’s best work and retrospective style at the time published, for a collectivised prosperity. 1950s menswear, documented and archived, a resource for vintage enthusiasts, costume designers, fashion students or anyone interested in menswear, circa 1950s.


Research is conducted utilising the internet, films, TV show clips, documentaries, 1950s clothing catalogues and menswear fashion books. Below are some examples, but it is by no means a full extensive bibliography, that this website uses for cultivating looks.

Bibliography

Blackboard Jungle, 1955. [Film] Directed by Richard Brooks. USA: Metro-Goldwyn-Mayer.

Leverton, A., 2015. Denim Dudes: Street Style, Vintage, Workwear, Obsession. London: Laurence King Publishing Ltd.

Loving You, 1957. [Film] Directed by Hal Kanter. USA: Paramount Pictures.

Rebel Without a Cause, 1955. [Film] Directed by Nicholas Ray. USA: Warner Bros.

Shih, J., 1997. Fashionable Clothing from the Sears Catalogs: Late 1950s. Atglen PA: Schiffer Publishing Ltd.

Sims, J., 2016. Icons of Men’s Style. London: Laurence King Publishing Ltd.

Skinner, T., 2002. Fashionable Clothing from the Sears Catalogs: Mid 1950s. Atglen PA: Schiffer Publishing Ltd.

Smith, D., 1998. Fashionable Clothing from the Sears Catalogs: Early 1950s. Atglen PA: Schiffer Publishing Ltd.

Stock, D. and Hyams, J., 2015. Dennis Stock: James Dean. London: Thames & Hudson Ltd.

Tanaka, R., 2006. My Freedamn! 5. Featuring Rock ‘n’ Roll Fashions: Part 1. Tokyo: Ten Print-Directors & Associates.

Tanaka, R., 2007. My Freedamn! 6. Featuring Rock ‘n’ Roll Fashions: Part 2. Tokyo: Ten Print-Directors & Associates.

The Wild One, 1953. [Film] Directed by Laszlo Benedek. USA: Stanley Kramer Productions.


Find UHNC on social media

Tumblr: umhomemnacidade.tumblr.com

Twitter: twitter.com/homem_na_cidade

Facebook: facebook.com/umhomemnacidade

Lookbook: lookbook.nu/umhomemnacidade


Disclaimers

> This project does not currently generate any income and operates independently solely due to a penchant for 1950s menswear and its respective culture. This website is not tied or restrained by brands nor advertisers, so it is free to focus on quality rather than quantity. Therefore, this website will not be updated often due to a concentration and research on future content, and Andrew’s other commitments.

> Privacy is respected. Personal email address’ used when commenting on the website are never displayed, exploited or stored for the purpose of malicious activity.

> Advertisements and abusive comments will not be tolerated, and will not be approved to appear on the website during the comment moderation process. Furthermore, multiple and repetitive comments from the same email address on a post will not be accepted to appear on the website, and the commenter’s best response will be selected, with the other one being deleted.

> The owner of this site is not responsible for any harmful external links from comments that are featured on the site after they have been moderated as safe, which at the time of been moderated and published are safe, but over time may have turn corrupted on the commenters site due to poor security and neglect. Therefore, visitors to this site must take care and caution when following links feature by commenters, that take visitors to their own blog or website as they may have been compromised and no longer operating as originally intended.

> The depiction of the use of cigarettes and smoking featured on this website are used for aesthetic purposes only, to adhere to the era of the 1950s when the harms of smoking were not fully understood and smoking was very commonplace. Therefore, such depictions are not endorsements of the use of cigarettes or the tobacco industry but are used to achieve a visual commonality with the 1950s.

> This website hopes to be a source of inspiration and reference, and can be used as such as long as this website is referred back to and never sourced for commercial purposes without approval. This however, does not permit plagiarism or credit for any work contained on this website. All content featured on this website is the property and ownership of Andrew Nunes. All rights are reserved.

> Music featured on this site is credited to Eddie Cochran and Liberty Records. C’mon Everybody, 1958. [Sound Recording] Performed by Eddie Cochran. Hollywood: Liberty Records.