Um Homem na Cidade is a showcase of 1950s menswear that evokes this particular epoch and its aesthetics, which could be described as: Americana, rock ‘n’ roll, rockabilly and vintage mid-twentieth century fashion; these characteristics and style. Created by Andrew Nunes with a penchant for the 1950s – its iconic designs, details and style, he channels this era with 1950s reproductions, vintage and contemporary menswear that evokes the era of the 1950s. Featured is menswear that would have existed in the 1950s or clothing of a very similar, almost identical, form. All items featured on Um Homem na Cidade are from independent reproduction brands or original vintage from the 1950s, or those that are reproduced from vintage patterns using contemporary fabrics or vintage dead-stock materials. Other items featured are acquired from today’s high street and designer fashion brands, some of which were operating during the 1950s itself. Nonetheless, all items featured represent material culture, the significant meanings and attitudes of the 1950s that is both clandestine and subtle, but also clear and plain to interpret with various items of clothing that summon up the imagery of the American 1950s.
In all, Um Homem na Cidade aims to achieve a digital record and archive of a contemporary interpretation of the 1950s, with all the difficulties of being truly authentic to the era due to the shortage and expense of good quality 1950s menswear available. Despite this, this project endeavours to display the best work and vintage 1950s style at the time published, for a collectivised prosperity. 1950s style, documented and archived, a preservation and celebration of the past serving as a resource for vintage enthusiasts, costume designers, fashion students or anyone interested in menswear circa 1950s.

Research is conducted by utilising 1950s clothing catalogues, menswear fashion books, films, television shows and public broadcasts from the 1950s, documentaries and the internet. Listed below are some example resources that display the fashion or aesthetics of the 1950s that are noteworthy, this is not an exhaustive list, however, of inspiration this project utilises.


American Graffiti, dir. by George Lucas (USA: Universal Pictures, 1973).

Blackboard Jungle, dir. by Richard Brooks (USA: Metro-Goldwyn-Mayer, 1955).

Leverton, A., Denim Dudes: Street Style, Vintage, Workwear, Obsession (London: Laurence King Publishing Ltd., 2015).

Loving You, dir. by Hal Kanter (USA: Paramount Pictures, 1957).

Rebel Without a Cause, dir. by Nicholas Ray (USA: Warner Bros., 1955).

Rock All Night, dir. by Roger Corman (USA: American International Pictures, 1957).

Rock Around the Clock, dir. by Fred F. Sears (USA: Columbia Pictures, 1956).

Shih, J., Fashionable Clothing from the Sears Catalogs: Late 1950s (Atglen PA: Schiffer Publishing Ltd., 1997).

Sims, J., Icons of Men’s Style (London: Laurence King Publishing Ltd., 2016).

Skinner, T., Fashionable Clothing from the Sears Catalogs: Mid 1950s (Atglen PA: Schiffer Publishing Ltd., 2002).

Smith, D., Fashionable Clothing from the Sears Catalogs: Early 1950s (Atglen PA: Schiffer Publishing Ltd., 1998).

Stock, D. and J. Hyams, Dennis Stock: James Dean (London: Thames & Hudson Ltd., 2015).

Tanaka, R., Lewis Leathers: Wings, Wheels and Rock ‘n’ Roll: Vol.1 (Tokyo: Ten Print-Directors & Associates, 2017).

Tanaka, R., My Freedamn! 5. Featuring Rock ‘n’ Roll Fashions: Part 1 (Tokyo: Ten Print-Directors & Associates, 2006).

Tanaka, R., My Freedamn! 6. Featuring Rock ‘n’ Roll Fashions: Part 2 (Tokyo: Ten Print-Directors & Associates, 2007).

The Wild One, dir. by László Benedek (USA: Stanley Kramer Productions, 1953).

And many more…

Information and Disclaimer

> For the best viewing experience of this site, it is recommended using a desktop computer or laptop. Mobile phones and tablets provide a lesser than desired experience due to a reduced size, layout and format.

> This project does not currently generate any income and operates independently solely due to a penchant for 1950s menswear and its respective culture. This website is not tied or restrained by brands nor advertisers, so it is free to focus on quality rather than quantity. Therefore, this website will not be updated often due to a concentration and research on future content, and Andrew’s other commitments.

> Privacy is respected. Personal email address’ used when commenting on the website are never displayed, exploited or stored for the purpose of malicious activity.

> Advertisements and abusive comments will not be tolerated, and will not be approved to appear on the website during the comment moderation process. Furthermore, multiple and repetitive comments from the same email address on a post will not be accepted to appear on the website, and the commenter’s best response will be selected, with the other one being deleted.

> The owner of this site is not responsible for any harmful external links that appear in comments posted by visitors to the site after these have been moderated as safe. The reason being, over time any links featured may become corrupted due to neglect on their side. Therefore, visitors to this site must take care and caution when following links featured by commenters that take them to other websites (most commonly, a commenter’s personal fashion blog) as they may have been compromised and no longer operating as originally intended.

> Music featured on this site is credited to Eddie Cochran and Liberty Records. C’mon Everybody, 1958. [Sound Recording] Performed by Eddie Cochran. Hollywood: Liberty Records.

> This website exhibits 1950s visual culture and its aesthetics only therefore, its owner Andrew Nunes, does not support any dominate mindsets or societal issues that occurred during the era, that of sexism, racism or the conformism that people had to adhere to be “normal” or the ideal citizen, and in no way advocates these features of the 1950s.

> The depiction of the use of cigarettes and smoking featured on this website are used for aesthetic purposes only, to adhere to the era of the 1950s when the harms of smoking were not fully understood and smoking was very commonplace. Therefore, such depictions are not endorsements of the use of cigarettes or the tobacco industry but are used to achieve a visual commonality with the 1950s.

> This website hopes to be a source of inspiration and reference, and can be used as such as long as this website is referred back to and never sourced for commercial purposes without approval. This however, does not permit plagiarism or credit for any work contained on this website. All content featured on this website is the property and ownership of Andrew Nunes. All rights are reserved.